FRIDAY NOVEMBER 2 - SATURDAY NOVEMBER 10
INFORMATION HOW TO BOOK VENUES FRIENDS PROGRAMME OF EVENTS

FRIENDS OF FOLKESTONE LITERARY FESTIVAL NEWSLETTER
September 2007

Click here to become a Friend of the Festival now

>> 2007 Short Story Competition Results
>> Poetry Competition 2007 Results
>> What the Friends offer you
>> Membership Enquiries
>> Festival 2007, November 2 - 10
>> Festival Read
>> Local Author’s Day
>> A Creative Quarter First
>> Visit to Saltwood Castle, Thursday 28 June 2007
>> Marsh Ink Writers´┐Ż Group
>> Future Events
>> Book Reading Group
>> The Creative Quarter Community
>> Further Progress in Tontine Street
>> Helen Lindon at the Metropole
>>List of Members

Now is the time to join the Friends of the Folkestone Literary
If you join now your name will go into a draw for a year’s subscription to Granta magazine. In return for £10 single subscription or £15 double you will, with other benefits, receive concessions on most festival tickets and an invitation to the Friends Festival Preview which will take place in September. There, you will be amongst the first to be told of the full Festival programme and be able to reserve tickets for those events which are likely to sell out quickly.

What the Friends offer you
The Friends offer support and promotion of the Festival throughout the year. In addition to helping to ensure its continual success, you will be entitled to the following benefits for an annual membership fee of £10 single or £15 double.

  • Friends Festival Preview
  • Concessions on most Festival tickets & priority booking of tickets
  • Dedicated Friends area on the Festival website
  • A regular newsletter
  • Post-Festival get together
  • Book Reading Group
  • An annual quiz night, outings and other events

To become a Friend of the Folkestone Literary Festival, please click here to join online or visit the Friends information stand at any of the Festival events or contact:

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Membership Enquiries
Karin Backlog
38B Sandgate High Street
Sandgate
Folkestone, CT20 3BZ

Tel: 01303 240236
To contact us by email please use the form at the bottom of this Newsletter .

The Friends Committee
Barrie Scott (Chair)
Karin Backlog (Treasurer)
Joan Atkinson (Membership Secretary)
Sally Chesters (Events Organiser)
Nick Spurrier (Editor of Newsletter)
John Sussams (Local authors)
Linda Bauer

Many thanks go to Angela Conyers as a founding committee member.

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Festival 2007, November 2 - 10
The authors and venues have been booked and the brochure is even now being completed. So all is almost ready for this year’s Festival which will, as always, have something for everyone. Again, because of the Festival’s November slot, an opportunity has been provided for school students across Kent to see hear and meet with two leading children’s writers - Michael Morpurgo, former Children’s Laureate and Kent primary school teacher and Lyn Gardner , the Guardian’s theatre critic, who has just published her first novel, an adventure story for children. Each day at Waterstone’s there will be readings of poetry and stories for children. Other innovations include a Literary Lunch and a Quiz Night. For the first time also there will be a Green Room in the Leas Club. Situated in the easily accessible Tea Room just outside the main building, it will be a marvellous place to get a cup of tea or a drink and talk about the festival with others. There, you will also be able to get up to date information about events and the activities of the Friends of the Festival as well as exchanging your old reading material for new at the Book Swap Club

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Festival Read
This year’s choice is Uncle Tom’s Cabin by Harriet Beecher Stowe. We are hoping that as many people as possible will read the book and come along to the talk on November 6 by Dr. Keith Carabine, a lecturer, recently retired from the University of Kent at Canterbury, who wrote the introduction to the Wordsworth edition. This edition is available from both Waterstone's branches in Folkestone for £1.99.

When Abraham Lincoln met Harriet Beecher Stowe at the start of the American Civil War, he is often reported as having said, “So this is the little lady who made this big war.” Whether or not this is true there is no doubt that her book Uncle Tom’s Cabin was crucially important in revealing to the world the evils of slavery in the southern states of America and in fuelling the abolitionist cause.

The book has been chosen for this year’s Folkestone Literary Festival Read in part because, though this year is not an anniversary of the end of slavery in any country, it is two hundred years since the abolition of the Atlantic slave trade, which provided the labour for plantations in the United States. The impact of Uncle Tom’s Cabin on its publication in 1852 was immediate and lasting. In its first year 300,000 copies were sold in the United States and nearly one million in England. It became the best selling novel of the nineteenth century and has never been out of print.

Based mainly on interviews with runaways, the book follows the life of a slave, Uncle Tom, who is sold on after the death of a kindly owner to a plantation owner whose treatment of him is appalling. There is a parallel story of another slave, Eliza, who escapes to freedom. The book is written in a sentimental and sensational style that was common in one genre of women’s writing in the nineteenth century and, as a result, was not taken seriously by literary critics despite its great success. However, in 1985 Jane Tomkins wrote of the power of sentimentality and suggested that women’s emotions had the ability to bring about great changes, as indeed Uncle Tom’s Cabin had done.

During the 1960s and 1970s the novel also came under attack by the Black Power and Black Arts movement for its crude stereotyping. However, in a recent reassessment of the novel, Henry Louis Gates Jr. has reversed these criticisms, stating that the book is a “central document in American race relations and a significant moral and political exploration of the character of those relations”. Dr. Keith Carabine has written of it in his Introduction to the Wordsworth edition as “the most popular, influential and controversial book written by an American”.

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Local Author’s Day
If you are a local author and have published a book, fiction or non-fiction, the festival will give you the opportunity to have the book on display to the public on Saturday 3 November, 10.00 – 4.00 at the Leas Club. You may also, if you wish, give a ten minute talk on your book.

If you would like to book a table please get in touch with John Sussams. Tel: 01303 242990 ore-mail: john@sussams.freeserve.co.uk.

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A Creative Quarter First
In his Introduction to Paul Rennie’s book Festival of Britain 1951: Design, Michael Lynch, Chief Executive of the South Bank Centre, writes of “Paul Rennie's wonderful shop in Bloomsbury”. That shop is now situated in Folkestone's Old High Street and the book is the first to be produced by somebody who both lives and works in the heart of the Creative Quarter.

The Festival of Britain, probably only vaguely remembered by those of us born in the post-war bulge, was intended to mark the end of a time of austerity though it has to be said that rationing of certain foods continued for another three years. So it probably more marked the beginning of the end – “A Tonic for the Nation”, as it was advertised, to keep everyone going. It was also, as Paul states in his introduction, “a practical expression of the ideas shaping reconstruction after World War Two”. Above all it was something that was well planned, delivered on time and much appreciated by the over 8 million people who visited the festival site in London and others who took part in events organised in 2000 places throughout the country.

After a section on the festival origins and organisation, the book, as the title indicates, concentrates on all aspects of design. There are sections on the management of design and the festival emblem - the product of a competition organised by the Arts Council and the Council for Industrial Design. The buildings and structures are also covered, including the Festival Hall, the Skylon and the Dome of Discovery. There is a chapter on Art and Democracy, dealing with the sculpture and the mural paintings on the South Bank. There is also a bibliography for those who wish to read further about the Festival and post-war reconstruction. However, over a third of the book is devoted to illustrations of the festival and the objects and ephemera associated with it.

Paul started collecting objects connected with the Festival in 1980 – his first find being the quite rare black and white festival mug designed by Norman Makinson for Wedgwood. Through further purchases of the various associated publications and everything from scarves and souvenir medals to bags and bus tickets, he has built up a picture of the festival and provided “an insight to popular taste in 1951”. However, Paul does lack one thing from his collection: the South Bank apparently “boasted state of the art public conveniences and was credited with introducing luxury toilet paper to ordinary people”. Not owning a roll of this, Paul has been unable to find out whether it was marked with the festival emblem.

This book is an excellent start to what hopefully will become a stream of books of all sorts emanating from Folkestone’s Creative Quarter. It can be obtained from Rennies Seaside Modern, 47 The Old High Street, Folkestone, CT20 1RN.

Tel: 01303 242427. e-mail: info@rennart.co.uk. Web site: www.rennart.co.uk. Festival of Britain 1951: Design by Paul Rennie. Hardback, 127pp fully illustrated in colour and b&w at £14.95.

Paul Rennie will be talking at this year’s Festival on Friday 9 November at 1 pm at The Academy

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Visit to Saltwood Castle, Thursday 28 June 2007
The castle sits small and solid and perfect. The walls are now brushed by trees never there in the past when it had to survey the surrounding Kent countryside. The great gates are open - there stands the Chatelaine beckoning us in. We follow.

Like walking into the beginning of a fairytale we went across lawns dotted with strutting peacocks in full plumage who every now and then emitted sharp cries as if in protest at our presence, following Jane Clark to, as she called it, her front door. This is the door in the imposing twin turreted gatehouse of Saltwood Castle; massive oak doors, black with age and studded with enormous iron nails. From here one winter’s evening in 1170 rode out the party of knights on their way to Canterbury to slay Thomas Becket.

There began the tour of the Castle for twenty ‘Friends’ hosted by Jane Clark, widow of Alan Clark, the maverick Conservative MP, animal rights activist and mischievous diarist, son of the late Kenneth Clark the eminent art historian. A tour of what is indeed her home. If one is to make a home in a castle then this is the one in which to do it. It has a magical yet cosy quality; great charm and at the same time dazzling one with the most extraordinary collection of paintings, tapestries, bibelots, curiosities, porcelain, glass and medieval weapons – most of which, the sharp weapons that is, were now tucked up out of the reach of lively grandsons who, we were told by Mrs Clark, had been found in the past racing up and down the stone corridors of the castle wielding swords and pikes.

It was an extraordinary visit, and it was a visit to someone’s home, but a home so full of fabulous paintings, especially those of notable twentieth century artists of renown, that one marvelled. Before we had even left the hall I commented to a companion that we had just been shown an incredible variety of objects of quality covering a thousand years, quite apart from the ancient building itself, and we were still only just in the ‘front door’.

So it went on, from room to room, each a treasure trove of artefacts of interest and all presented together with anecdotes and tales of family life involving the respective places. Out into the fresh air again and across the lawns and into what seemed to be a rather dilapidated part of the castle walls, up stone stairs and gasps from all of us as we entered the most enormous medieval hall, now the library. A library however that contained not just the leather bound books that one might expect but reading matter for all tastes. Huge comfortable sofas faced one another and once again one was reminded that this room was just part of someone’s family life.

Then finally we sat down to a cream tea with homemade scones whilst Mrs Clark passed around a copy of a thank you letter from the late Queen Mother after a weekend at Saltwood. She too had been enchanted by a visit to a magic castle that was still an Englishwoman’s home.

Barrie Scott

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Future Events
Following the success of the visits to Charleston and Saltwood Castle, we are keen to arrange more events with literary themes. After the trip to Charleston we did a poll to find out where people would like to go, resulting in lots of great suggestions with exciting possibilities. The range of ideas made us realise the wealth of literary connections this area has – and most within easy striking distance.

For next year, therefore, we propose visits to Downe House, home of Charles Darwin, Batemans, home of Rudyard Kipling and, since this year’s visit was over-subscribed and it was such a lovely day, Saltwood Castle.

No dates have yet been agreed for any of the above but we shall have more details for the next newsletter, in December.

If you would like to register interest in any of the above at this stage then please contact Sally Chesters on 01303 266118.

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Marsh Ink Writers’ Group
Marsh Ink Writers’ Group was founded fifteen years ago to give members the opportunity to meet published authors as well as other writers. The author Pamela Oldfield attended that first meeting of Marsh Ink and is now its Honorary President. The group’s speakers have included authors plus police and forensic officers. Marsh Ink meets twice monthly on Wednesdays at 7.30 pm at Southlands School/the Marsh Academy in New Romney. Members run in-house workshops and are encouraged to read their work in progress for constructive criticism.

  • September 5 Homework, 500 to 800 words.
  • September 13 Visit to Waterstone’s Book store in Tenterden - Martin Gurdon.
  • September 19 Speaker - waiting for confirmation.
  • October 3 Kirsty Fowkes - freelance publishing editor.
  • October 17 Marsh Ink workshop.

For further information phone 01797 366621 or e-mail bridget@fowkes16.fsnet.co.uk.

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Book Reading Group
The last book our group read was The Night Listener by Armistead Maupin. Some of us were wary of the book’s subject matter but we all thought in the end that it was an absorbing read and an interesting look at relationships. Anyone is welcome to come to the group, which meets monthly at the Grand, normally on the last Thursday at 7.30 pm. On August 30 to we discussed Purple Hibiscus by Chimandana Ngozi Adichie - a portrait of Nigeria and of a family caught up in the political turmoil of that country. Such was the appeal of this books that we talked for over an hour. Our Book for September 27 is Middlesex by Jeffrey Eugenides. By October 25 we hope that members of the group will have finished the Festival read Uncle Tom’s Cabin, the book we will be considering on that day.

If you would like to become involved, contact: Angela Conyers on 01303-240236. e-mail: angela.conyers@zen.co.uk

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The Creative Quarter Community
If you had visited the area bounded by the Old High Street and Tontine Street five years ago you would have found a community populated mainly by rather despondent shopkeepers and café owners. Though they were proud of the area – one of the oldest parts of Folkestone, which had thrived in the 1970s - they thought it deserved better. However, beyond asking for help from Shepway Council there was no thought of what could be done – no vision; it could almost be seen as a blank canvas waiting to be painted. Now as described in the previous article on Tontine Street, the canvas is being filled. The Creative Foundation led by Roger De Haan and Nick Ewbank supplied the vision of an artists’ or Creative Quarter and are doing much to see that it is fulfilled. Artists have moved into studios and new businesses have occupied renovated shops. In the Old High Street Wild for Flowers (www.wildforflowers.com) , The Print Room (www.shanerecord.com) and Inspiring Interiors (www.inspiringinteriors.co.uk) have been so successful over the last two years that they have already moved into larger premises. For some like Jo Letchford of The Mosaic Gallery (www.joletchfordmosaics.co.uk) business has far exceeded their expectations. Originally wanting only a workspace, Jo decided to have a shop, which turned out to be a bonus; her mosaic workshops are always oversubscribed. Other property owners have started renovating their premises and businesses independent of the Creative Foundation are opening up.

The Creative Quarter is also providing many young people with opportunities that they have not previously had in Folkestone. The tendency has always been for those who have finished secondary education, and gone on to higher education elsewhere, not to return to Folkestone; there were no opportunities for artists and indeed little else to attract back those who had sampled life in other towns. Ultimately of course, with the University Centre and the planned university campus at the harbour, many young Folkestonians may well opt to stay here. In the meantime some others who have left are coming back. Matt Rowe, (www.gogowhippet.com) who runs the B & B Project Space and Club Shepway, is one of these returnees. His main interest has been recording the old seaside Folkestone and the changes as they are taking place. Charlotte Harris(www.charlotte-harris.com) , the BP Portrait Award winner, brought up in Ashford, eschewed a frenetic life in London, which in any case held little attraction for her, and settled for a studio of a size which would certainly have been too expensive elsewhere. She has had no trouble in finding commissions both locally and nationally. And the Grocery Gallery (www.thegrocerygallery.com) in the Old High Street has provided an outlet for her other paintings.

The reputation of the Creative Quarter is now spreading and many other artists and businesses are opting for Folkestone. Neville Pundole (www.pundole.co.uk) , who has closed his Gallery in Canterbury, has decided to move here. Selling pottery, paintings and small sculpture he also carries one of the largest stocks of studio glass in England including some contemporary Venetian glass. In business for many years, he has a large mailing list and many loyal clients who will no doubt want to visit his gallery in Folkestone. Although admitting that moving from London has taken a leap of faith Dan Davies, who moved to the Old High Street in May, said, “Coming to Folkestone has already really helped me focus on my work.” A web and multimedia producer with a background in art history and illustration, he won a BAFTA for a project called i-Map, created for the Tate, which used animation and audio to help provide a way into modern art for the visually impaired. Candida Wright, who also has a flat and studio space in the Creative Quarter works in a variety of media, including painting, printmaking, sculpture and photography. Since city-scapes and the flux of geology in seemingly changeless ancient landscapes inform much of her work, a move to Folkestone seemed almost natural. She was also greatly impressed with the up and coming art scene linking to community projects.

A number of other projects have been inspired by the Creative Quarter over the last few years. The Quarter Magazine with its first issue in January 2003 engendered great publicity for some two years. With its demise light relief was supplied for a short time by Shane Record’s The Other Three Quarters. This has been succeeded by Folkestone Creative (www.lilburnepress.co.uk) , started by Nicholas Reed and now into its third year. The quarterly magazine of Go Folkestone (www.gofolkestone.org.uk) alsoincludes some articles on the Creative Quarter. In 2003 the Open Air Gallery, making use of the then ubiquitous but now rapidly disappearing protective railings on shops, was started by local artists and Old High Street traders. That has now been absorbed into the Folkestone Artists Cooperative (www.folkestoneartists.org.uk) with some ninety members who, in addition to running the Open Air Gallery, have organised stalls at the Weekly Farmers, Fishermen’s and Art market at the Harbour and put on other events.

The Folkestone Artists Cooperative and the development of the Creative Quarter have also had an effect on already resident local artists. Phyllis McDowell (www.phyllismcdowell.com) , an established painter, feels it is great to be part of a growing community of artists of all ages. Allison Esson, never having had in the past the courage to display her paintings, has now been given the confidence and opportunity to do so. MarleneWomack (lenamouse@hotmail.co.uk) who specialises in appliqué and paper designs, also feels that the Creative Quarter has opened up opportunities for her and she has been motivated to develop her technique . She has made new friends and feels at home in a lovely and supportive community.

Early on in the life of the Creative Quarter project Nick Ewbank talked of the need to achieve a critical mass of thriving shops and projects to turn around the old town. It is probable that this point will soon be reached and the success of the Creative Quarter is already assured. So the blank canvas of Tontine Street and the Old High is now filling fast. But of course a larger canvas from the harbour to the coastal park lies waiting. It is an exciting time to be in Folkestone,

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Thank you to all those who sent me writing about themselves and the Creative Quarter. I have been unable use all that was sent, but intend to produce another article for the next issue of this newsletter in which I will use the material.

Nick Spurrier

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Further Progress in Tontine Street
A visitor to Folkestone, wandering down Tontine Street, might look at all the scaffolding and rebuilding and wonder if it had not been far off the epicentre of the earthquake in May. But, as in many places, the scaffolding is of course a good sign, an indication of regeneration and there is now great progress in the street. The University Centre ( www.ucf.ac.uk) occupies the whole of the Glassworks in Millbay as well as the two brick towers of the old brewery, the Creative Foundation (www.creativefoundation.org.uk)having recently moved to their new premises – “The Block” at 65-69, Tontine Street. A few doors up the road, Screen South (www.screensouth.org) is housed in “The Wedge”, the last building in Tontine Street. In the upper floors of this building there are flats and working spaces for artists. Opposite, refurbishment continues on the old Benhams building, to be called “The Cube”, which will be the new location for Kent County Council’s Folkestone based adult education. The Foundations of the new performing arts and business centre, near the entrance to Payers Park, have been completed and the building will no doubt soon be seen rising above the hoardings. Next door at No. 43, Moda Ceramics (www.modaceramics.co.uk)continues to flourish with its handmade ceramics, tiles, jewellery and soaps. Soon John Parry intends to branch out into local produce, starting with Jam and pickles. Opposite, The Bank Gallery (www.thebankgallery.co.uk) at 46 has recently opened with photographs by Matylda Blake of Nepal and France as well as the work of Rick Fullwood (www.fullwood.ndo.co.uk) who photographs flowers that he grows himself. She has installed three photographic enlargers which can be hired together with her darkroom for a few hours or a day with, if required, some training. Other artists are housed in the rooms above. The Old Post Office, No. 48, is home to Folkestone Enterprise Gateway (www.folkestonegateway.com), who supply advice, training and much more to those who want to start their own businesses, and the Channel Corridor Partnership (www.channelcorridor.org) , who supply funding to a number of projects, including some in Tontine Street. The ground floors of two buildings, Nos. 17-19 and 35-37, have been converted into 33 artists’ studios and workplaces of varying sizes. It is hoped also to include some social space. On the same side Route 25 continues to act as a source of advice for young people. Finally, at No. 14, B & B Project Space and Gallery (www.14tontinestreet.com) offers an opportunity for Contemporary artists to display their work at a small cost – work that may not be saleable but nevertheless deserves to be shown. Based there also is Club Shepway (www.clubshepway.com) , an expanding group of artists and writers .

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Helen Lindon at the Metropole
The Metropole Gallery has reopened with Helen Lindon as Artist in Residence. An abstract painter, she is pleased to have been given the opportunity to work in a different environment, to be able discover all that is happening in Folkestone and to talk to people about it. She has spent time walking round the Old High Street, Tontine Street and the Harbour area and, after observing all the developments and seeing the potential, has ended up wanting to find out more. She said, “I believe that what you are doing in Folkestone is visionary - bringing in artists and education and putting them at the centre of the community.”

Helen’s art practice is mainly concerned with the exploration of light and architectural, organic and imaginary space through the media of photography, glass, painting and drawing. She has been exhibiting regularly since 1999 in Oxford, London, Manchester and Chichester and is an Associate Lecturer at Byam Shaw/Central St Martin’s College of Art.

Although genuinely delighted with the space she has been given at the Metropole Gallery, far larger and more beautifully situated than her studio in London, Helen does admit to being slightly intimidated by it. So it has taken her a little time to get used to working in the gallery. To begin with she was also a trifle concerned about painting in public but is now happy to talk to people about what she is doing and pleased to see them establishing a relationship with her work. In her latest series of paintings, on which she is now working at the Metropole, webs, nets and contours have emerged as a theme. Though starting with a definite idea of what she wants to do, each painting ultimately becomes a problem which is solved as she proceeds. So she may end up with a painting different from that which she first envisaged. She is also working on a triptych – three paintings that stand on their own as individual works but which, when put together, become something greater.

Helen will be working at the Metropole Gallery, until September 16. There will be a private view of an exhibition of her paintings and drawings in oils, oil glazes, India ink and watercolour on September 6 from 6pm to 8pm.

The Metropole Gallery is open from Monday to Sunday,10am – 5pm. If you would like to see Helen at work she is normally at the Metropole Gallery on weekdays between 10am and 4pm.

To contact Helen Lindon e-mail: helen_lindon@hotmail.com

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Friends of the Festival
Dr. Jenny Corbett
Anne Marston
Veronica McTigue
Margaret Stopford
Ms. Thelma Whittaker
Mr. M.P & Dr. J.N. Baker
Eileen Bartlett
Kathleen Bernthall
Liz Chandler
Anne Charlier
Sally Chesters
Judy Cimelli
Mr & Mrs. Cracknell
Anne Cullingworth
John Cutmore
Maggie Denham
Claire Donnelly
Lina Fellows
Sally Furneaux
Rosemary Graham
Jean Hendry
Joanne Hill
Duncan Hopkin
Mr. & Mrs. Hunnibal
Roger Joyce
Penny Lambert
Patrick Marrin
Dorothy McKinistrie
Jane Ferguson Maclean
Jill & Andrew Page
Simon Rickard & Catherine Robinson
Sarah Sage
Tony Scofield
Rosemary Simpson
Philip & Elizabeth Talbot
Alison Tucker
D.M. Turner
Britta von Zweigberck

If your name has not been included please let us know and we will include it in the next newsletter

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